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Still Life Painting: Cereal Boxes

1/31/2018

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Project:
Using acrylics, paint a still life comprised of two cereal boxes or other packages.

Objectives:
  • Improve observational accuracy
  • Build a strong composition
  • Notice (and recreate) subtle color changes
  • Mix colors with specificity and accuracy
  • Establish form via chiaroscuro and color changes
  • Improve your ability to create a rich range of tonal value
  • Become skillful with painting
  • Learn proper maintenance of painting tools

Materials:
  • Boxes (two package designs)
  • Drawing paper
  • Pencil or charcoal
  • Canvas or canvas panel
  • ​Bristle brushes
  • palette
  • acrylic paints
  • water container
  • paper towel or rags
  • brush cleaner
  • (Easel)

Grading Criteria:
  • Composition
  • Accuracy
  • Recreation of nuances of color and value
  • Color Harmony
  • "Completeness" - Craftsmanship

To Start:
Draw thumbnails and/or rough drafts of the composition, in pencil or charcoal on paper, blocking out the basic arrangement of lights and darks

Self Critique Questions
What questions do you need to ask yourself on an ongoing basis to improve your chances for success?
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Midyear Assignments

1/7/2018

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Picture
Leonardo da Vinci, Mona Lisa, oil paint on poplar wood panel, c. 1503-1517

https://www.leonardodavinci.net/
1.
Homework
for this week: due this Thursday (January 11):


A single graphite drawing of your two hands, in gestural poses
(This is practice for part of your midyear exam project (#3 below).)
  • Try to understand how the bones and muscles of the hand work
  • Draw the contours of your hands accurately.
  • Indicate three-dimensional structure and form by including some tonal value; one light source
  • Entirely from observation (life; no photographs)
  • Hands could be interacting with each other
  • Refer to Bridgman’s or another anatomy book (in classroom)
  • Draw large; fill the page -- compose the page
  • At least sketchbook size
  • DO NOT trace your hands
    Graded on:
  • Accuracy of proportion,
  • Accuracy of contour line;
  • Quality of line (dark, light, thin, thick as necessary);
  • Indication of structure/form via value;
  • Composition of picture plane (i.e. draw to fit/fill the paper)

2. Complete charcoal self portrait and chalk on black paper self portrait (no later than the end of Tuesday, January 9, so that you have time for your midyear project during the remaining classes this week.)

Turn in all your self-portraits as a body of work. Separate them with large sheets of tracing paper, and place them in a large oaktag "folder":
  • Blind contour drawings
  • Individual features, combined as collage
  • Charcoal drawings - tonal value only
  • Chalk on black paper​
3. Midyear exam project -- You will start this in class after completion of your chalk drawing. Work on it in class later this week, and as homework over the weekend; It will be due at the end of the period on exam day (Tuesday, January 16).:

Self portrait with Hand and Landscape 
(Refer to the style/placement of Leonardo Da Vinci’s Mona Lisa and Albrecht Durer's Self Portrait, Age 26)

  • Three-quarter length self portrait (head, neck, shoulders, arm, down to waist)
  • Three-quarter view (from side of head, both eyes, side of nose, one ear showing)
  • At least one hand fully visible,
  • Landscape in background (from observation -- yard of your home, neighborhood or school from a window)
  • Indicate three-dimensional structure and form by including some tonal value
  • Medium: graphite (pencil), conte, or charcoal
  • At least sketchbook size; larger is recommended
   
    Graded on:
  • Accuracy of proportion,
  • Accuracy of contour line;
  • Quality of line (dark, light, thin, thick as necessary);
  • Indication of form via tonal value;
  • Three-dimensional space (foreground, middle-, background)
  • Figure/ground relationship -- self portrait and landscape working together, not interfering with one another
  • Composition of picture plane

4. Spray, mount and label all self portraits
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    Mr. Ratkevich

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